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Hari Kunzru

Red Pill

Red Pill

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'The book I wish I'd written? Whatever Hari Kunzru is publishing next' Aravind Adiga 'Astonishing; absorbing; terrifying. Immensely good.' Philip Pullman ''Red Pill stands as a final blast of sanity against this new; deranged reality. It is a literary masterpiece for a barbaric new world rapidly running out of room for literary masterpieces.' The Spectator '[A] deeply intelligent and artfully constructed novel.' Financial Times From the author of White Tears comes a breathtaking; state-of-the-world novel about one man's struggle to defend his values and create a reality free from the shadows of the past. 'From now on when you see something; you're seeing it because I want you to see it. When you think of something; it'll be because I want you to think about it...' And with those words; the obsession begins. A writer has left his family in Brooklyn for a three month residency at the Deuter Centre in Berlin; hoping for undisturbed days devoted to artistic absorption. When nothing goes according to plan; he finds himself holed up in his room watching Blue Lives; a violent cop show with a bleak and merciless worldview. One night at a party he meets Anton; the charismatic creator of the show; and strikes up a conversation. It is a conversation that leads him on a journey into the heart of moral darkness. A conversation thatthreatens to destroy everything he holds most dear; including his own mind. Red Pill is a novel about the alt-right; online culture; creativity; sanity and history. It tells the story of the 21st century through the prism of the centuries that preceded it; showing how the darkest chapters of our past haunt our present. More than anything; though; this is a novel about love and how it can endure in a world where everything else seems to have lost all meaning. Praise for White Tears 'Exquisitely attuned' Washington Post 'Electrifying; subversive and wildly original' TheNew Yorker 'A book that everyone should be reading right now' TIME Magazine 'Haunting; doom-drenched; genuinely and viscerally disturbing...' The Independent


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