‘Reads like a feminist War and Peace. A magnificent novel’ SUNDAY TIMES ‘A complex, multi-layered beauty of a book. Extraordinary’ NEW STATESMAN
‘Reads like a feminist War and Peace. A magnificent novel’ SUNDAY TIMES ‘A complex, multi-layered beauty of a book. Extraordinary’ NEW STATESMAN
THE INSTANT SUNDAY TIMES NO.1 BESTSELLER; LONGLISTED FOR THE WOMEN’S PRIZE FOR FICTION 2025
A publishing event ten years in the making – a searing, exquisite new novel by the bestselling and award-winning author of Americanah and We Should All Be Feminists – the story of four women and their loves, longings and desires.
‘The major publication milestone of 2025’ OBSERVER
‘The return of a literary titan’ TELEGRAPH
CHOSEN AS A SUNDAY TIMES, GUARDIAN, OBSERVER, FINANCIAL TIMES, INDEPENDENT, TELEGRAPH, GQ and COSMOPOLITAN BOOK OF 2025.
Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until — betrayed and brokenhearted — she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America – but faces an unthinkable hardship that threatens all she has worked to achieve.
In Dream Count, Adichie trains her fierce eye on these women in a sparkling, transcendent novel that takes up the very nature of love itself. Is true happiness ever attainable or is it just a fleeting state? And how honest must we be with ourselves in order to love, and to be loved? A trenchant reflection on the choices we make and those made for us, on daughters and mothers, on our interconnected world, Dream Count pulses with emotional urgency and poignant, unflinching observations on the human heart, in language that soars with beauty and power. It confirms Adichie’s status as one of the most exciting and dynamic writers on the literary landscape.
‘Expect everyone to be talking about this one’ INDEPENDENT
A mosaic biography of one of the best bands of all time by acclaimed journalist Mark Blake.
Fleetwood Mac have had a chart-topping career that spans over fifty years and includes some of the biggest-selling albums and greatest hits of the 20th and 21st centuries. But the band’s story is one of enormous triumph and also unimaginable tragedy. There has never been a band in the history of music riven with as much romantic drama, sexual tension and incredible highs and lows as Fleetwood Mac.
Dreams is a must-read for casual Fleetwood Mac fans and die-hard devotees alike. In the unique ‘A to Z’ format, consisting of mini-biographies, observations and essays, Mark Blake explores all eras of the Fleetwood Mac story to explore what it is that has made them one of the most successful bands in history.
Blake draws on his own exclusive interviews with Mick Fleetwood, Stevie Nicks, Lindsey Buckingham and the late Peter Green and Christine McVie, and addresses the complex human drama at the heart of the Fleetwood Mac story, including the complicated relationships between the band’s main members, but he also dives deep into the towering discography that the band have built over the past half-century.
THE INTERNATIONAL BESTSELLER
‘A scientific memoir as gripping as any HBO drama series’ Kate Kellaway, Observer
A dazzling scientific detective story from the ecologist who first discovered the hidden language of trees
No one has done more to transform our understanding of trees than the world-renowned scientist Suzanne Simard. Now she shares the secrets of a lifetime spent uncovering startling truths about trees: their cooperation, healing capacity, memory, wisdom and sentience.
Raised in the forests of British Columbia, where her family has lived for generations, Professor Simard did not set out to be a scientist. She was working in the forest service when she first discovered how trees communicate underground through an immense web of fungi, at the centre of which lie the Mother Trees: the mysterious, powerful entities that nurture their kin and sustain the forest.
Though her ground-breaking findings were initially dismissed and even ridiculed, they are now firmly supported by the data. As her remarkable journey shows us, science is not a realm apart from ordinary life, but deeply connected with our humanity.
In Finding the Mother Tree, she reveals how the complex cycle of forest life – on which we rely for our existence – offers profound lessons about resilience and kinship, and must be preserved before it’s too late.
The beloved star of Friends takes us behind the scenes of the hit sitcom and his struggles with addiction in this candid, funny, and revelatory memoir that delivers a powerful message of hope and persistence.
‘There’s never been a more honest or raw memoir . . . and it may just save lives’ Daily Mail
‘Funny, fascinating, compelling . . . also a wonderful read for fans of Friends’ The Times
‘HI, MY NAME IS MATTHEW, although you may know me by my full name. My friends call me Matty.’
So begins the riveting story of acclaimed actor Matthew Perry, taking us along on his journey from childhood ambition to fame to addiction and recovery in the aftermath of a life-threatening health scare. Before the frequent hospital visits and stints in rehab, there was five-year-old Matthew, who travelled from Montreal to Los Angeles, shuffling between his separated parents; fourteen-year-old Matthew, who was a nationally ranked tennis star in Canada; twenty-four-year-old Matthew, who nabbed a coveted role as a lead cast member on the talked-about pilot then called Friends Like Us . . . and so much more.
In an extraordinary story that only he could tell – and in the heartfelt, hilarious, and warmly familiar way only he could tell it – Matthew Perry lays bare the fractured family that raised him (and also left him to his own devices), the desire for recognition that drove him to fame, and the void inside him that could not be filled even by his greatest dreams coming true. But he also details the peace he’s found in sobriety and how he feels about the ubiquity of Friends, sharing stories about his castmates and other stars he met along the way. Frank, self-aware, and with his trademark humour, Perry vividly depicts his lifelong battle with addiction and what fuelled it despite seemingly having it all.
‘An unflinching and often harrowing must-read for 90s pop culture fans’ Guardian
‘Written with Chandler’s trademark sarcasm and self-deprecation’ Telegraph
‘A hopeful read . . . I started to think of [it] not as a celebrity memoir about addiction, but as an addiction memoir written by a man who understands his own history through the prism of showbiz’ Independent
‘A beautifully readable reminder of how much of our urgent, collective history resounds in places all around us that have been hidden in plain sight.’ Afua Hirsch, author of Brit(ish)
‘A beautifully readable reminder of how much of our urgent, collective history resounds in places all around us that have been hidden in plain sight’ Afua Hirsch, author of Brit(ish)
Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks – those that are honest about the past and those that are not – that offer an intergenerational story of how slavery has been central in shaping a nation’s collective history, and our own.
It’s the story of Thomas Jefferson’s plantation, where he wrote letters espousing the urgent need for liberty while enslaving more than four hundred people, the story of the maximum-security prison in Louisiana that is filled with Black men who work across the land for virtually no pay and the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.
Chosen by President Obama, the Economist, Time magazine and many more as a book of the year, How the Word is Passed is a deeply researched and transporting exploration of the legacy of slavery – crucially showing some of our most essential stories are hidden in plain sight.
‘We need this book’ Ibram X. Kendi
‘An extraordinary contribution to the way we understand ourselves’ The New York Times
‘Vivid and visceral, making history present and real’ NPR
‘An intimate, active exploration of how we’re still constructing and distorting our history’ Washington Post
ONE OF BARACK OBAMA’S FAVOURITE BOOKS OF THE YEAR
A NUMBER ONE NEW YORK TIMES BESTSELLER
LONGLISTED FOR THE NATIONAL BOOK AWARD FOR NON-FICTION
‘A beautifully readable reminder of how much of our urgent, collective history resounds in places all around us that have been hidden in plain sight.’ Afua Hirsch, author of Brit(ish)
Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks – those that are honest about the past and those that are not – which offer an intergenerational story of how slavery has been central in shaping a nation’s collective history, and our own.
It is the story of the Monticello Plantation in Virginia, the estate where Thomas Jefferson wrote letters espousing the urgent need for liberty while enslaving more than four hundred people. It is the story of the Whitney Plantation, one of the only former plantations devoted to preserving the experience of the enslaved people whose lives and work sustained it. It is the story of Angola, a former plantation-turned-maximum-security prison in Louisiana that is filled with Black men who work across the 18,000-acre land for virtually no pay. And it is the story of Blandford Cemetery, the final resting place of tens of thousands of Confederate soldiers.
A deeply researched and transporting exploration of the legacy of slavery and its imprint on centuries of American history, How the Word Is Passed illustrates how some of our most essential stories are hidden in plain view – whether in places we might drive by on our way to work, holidays such as Juneteenth or entire neighbourhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women and children has been deeply imprinted.
How the Word is Passed is a landmark book that offers a new understanding of the hopeful role that memory and history can play in making sense of the United States. Chosen as a book of the year by President Barack Obama, The Economist, Time, the New York Times and more, fans of Brit(ish) and Natives will be utterly captivated.
What readers are saying about How the Word is Passed:
‘How the Word Is Passed frees history, frees humanity to reckon honestly with the legacy of slavery. We need this book.’ Ibram X. Kendi, Number One New York Times bestselling author
‘An extraordinary contribution to the way we understand ourselves.’ Julian Lucas, New York Times Book Review
‘The detail and depth of the storytelling is vivid and visceral, making history present and real.’ Hope Wabuke, NPR
‘This isn’t just a work of history, it’s an intimate, active exploration of how we’re still constructing and distorting our history.” Ron Charles, The Washington Post
‘In re-examining neighbourhoods, holidays and quotidian sites, Smith forces us to reconsider what we think we know about American history.’ Time
‘A history of slavery in this country unlike anything you’ve read before.’ Entertainment Weekly
‘A beautifully written, evocative, and timely meditation on the way slavery is commemorated in the United States.’ Annette Gordon-Reed, Pulitzer Prize-winning author
An antidote to our obsession with busyness, author Madeleine Dore explores the joys of releasing ourselves from the burden of productivity guilt.
‘A radical masterpiece … While many books insist on changing your life, this one invites you to deepen and expand it.’ – Mari Andrew, author of My Inner Sky
‘Deep, thoughtful, gently instructive, nourishing.’ – Clare Bowditch, author of Your Own Kind Of Girl
‘Read it and sigh with relief.’ – Hugh Mackay, author of The Kindness Revolution
Any given day brings a never-ending list of things to do. There’s the work thing, the catch-up thing, the laundry thing, the creative thing, the exercise thing, the family thing, the thing we don’t want to do, the thing we’ve been putting off (despite it being the most important thing). Even on days when we get a lot done, the thing left undone can leave us feeling guilty, anxious or disappointed.
After five years of searching for the secret to productivity, Madeleine Dore discovered there isn’t one-instead, we’re being set up to fail. I Didn’t Do the Thing Today is an inspiring call to take productivity off its pedestal, to embrace the joyful messiness and unpredictability of life.
For anyone who has ever felt the pressure to do more, be more, achieve more, this antidote to our doing-obsession is the permission slip we all need to find our own way.
SEQUEL TO THE PHENOMENAL KOREAN BESTSELLER
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SEQUEL TO THE PHENOMENAL KOREAN BESTSELLER
TRANSLATED BY INTERNATIONAL BOOKER SHORTLISTEE ANTON HUR
Baek Sehee could never have predicted how many people I Want to Die but I Want to Eat Tteokbokki would reach across the world. A runaway bestseller in South Korea, Japan, China, Indonesia and the UK, this record of conversations with her therapist demonstrated the realities of anxiety and depression in a uniquely intimate way.
But Baek’s battle with dysthymia did not end there. Grappling with mental health is an everyday struggle. In I Want to Die but I Still Want to Eat Tteokbokki, Baek’s experiences become more complex, as she demonstrates that striving contentment is an ongoing journey.
A heartbreaking and hilarious memoir by iCarly and Sam & Cat star Jennette McCurdy about her struggles as a former child actor—including eating disorders, addiction, and a complicated relationship with her overbearing mother—and how she retook control of her life.
Jennette McCurdy was six years old when she had her first acting audition. Her mother’s dream was for her only daughter to become a star, and Jennette would do anything to make her mother happy. So she went along with what Mom called “calorie restriction,” eating little and weighing herself five times a day. She endured extensive at-home makeovers while Mom chided, “Your eyelashes are invisible, okay? You think Dakota Fanning doesn’t tint hers?” She was even showered by Mom until age sixteen while sharing her diaries, email, and all her income.
In I’m Glad My Mom Died, Jennette recounts all this in unflinching detail—just as she chronicles what happens when the dream finally comes true. Cast in a new Nickelodeon series called iCarly , she is thrust into fame. Though Mom is ecstatic, emailing fan club moderators and getting on a first-name basis with the paparazzi (“Hi Gale!”), Jennette is riddled with anxiety, shame, and self-loathing, which manifest into eating disorders, addiction, and a series of unhealthy relationships. These issues only get worse when, soon after taking the lead in the iCarly spinoff Sam & Cat alongside Ariana Grande, her mother dies of cancer. Finally, after discovering therapy and quitting acting, Jennette embarks on recovery and decides for the first time in her life what she really wants.
Told with refreshing candor and dark humor, I’m Glad My Mom Died is an inspiring story of resilience, independence, and the joy of shampooing your own hair.